Once upon a time, An Randy made her life. She wrote stories and became famous and wealthy. She attributed her success to her talent, effort and intelligence, and to the near total freedom she enjoyed in her beloved country of residence. Her freedom-loving philosophy permeates her writing, inspires her readers, and has become a social movement with a smallish yet enthusiastic following. Called “libertism”, the philosophy champions heroic individualism, productive and creative achievement, and near total liberty and self-centeredness as preconditions for this achievement. It requires a minimal government, minimal taxation, no redistribution and no welfare. Freedom from government is necessary for creative achievement, and redistribution implies theft of resources that are the product of solitary and well-deserved achievement.
Randy did not believe that her success or the success of similarly talented and disciplined creators is dependent on the receptiveness of an audience. The success of the talented depends merely on their talent, not on fashion, audience preferences, cooperation, marketing, being in the right place at the right time etc. Hence, because there’s no luck or cooperation involved in success, the fruits of this success are the product only of talent and effort. An individual therefore deserves his or her success, and should not be forced to share its fruits.
Libertism views success as an individual achievement rather than the product of a combination of individual achievement, talent, luck and social cooperation. In other words, there’s no real division of labor or joint production. The creators are Robinson Crusoes, producing everything by themselves. Libertism denounces the “socialist” vision in which everything is jointly created, in which every creator depends on a large web of support and in which no creator can do anything without a vast army of teachers, parents, food producers, road workers, bus drivers, doctors, police officers, book printers, librarians, internet providers, etc. Libertism believes the members of the creative class produce their work and achievements only by themselves and by their own efforts alone. Division of labor is necessary only for menial production.
The moral of An Randy’s story: were it not for the silly preferences of a part of the general audience, the feverish cooperation of a number of fanatic devotees and a suitable working environment, she would have had no success at all. Double irony: because she proved, unwittingly, that achievement is essentially a cooperative effort, she also showed that the fruits of achievement should be distributed across all participants; hence, that taxation, redistribution and reductions of income inequality are justified.
PS: no prizes for guessing whom this is really about…